Terms of Living is a memoir-in-essays about aftermath. A relationship ends cleanly on paper, and the body keeps living inside the echo.
Set in a coastal town and written from close range, the book follows the days after the break: the stunned quiet, the dull hours, the compulsions that replace conversation, the private courtroom the mind builds when nobody hands you an ending you can hold. Alongside the personal narrative runs a layer of cultural and philosophical commentary on modern love, polite exits, and the industries that translate ache into content, products, and “growth.”
The governing idea is accuracy, not therapy. The self as a system with defaults, habits, and faulty readings that become visible under pressure. What changes over the five movements is not a mood. It’s authority: what gets to run the day, what stops running it, and what remains when the noise finally loses its job.
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The ending, and the immediate malfunction.
Time with no instructions.
The economy that forms around heartbreak.
A new internal order, built slowly.
The terms that hold when you return to ordinary life.
From the Introduction
TERMS OF LIVING is what happens when the drama ends but your nervous system keeps talking.
— Aleks Filmore
A three-book project about patterns, aftermath, and accountability
The catalog. Twenty-five relationships and the patterns they revealed.
A literary memoir-in-essays about heartbreak aftermath and the aftertaste of modern love.
The accountability. Essays on recognizing your own patterns.